General Archives - Fantastic Worlds Productions https://fantasticworldspod.com/category/general/ Your Fantastic Adventure Awaits Wed, 01 Nov 2023 09:29:56 +0000 en-US hourly 1 https://i0.wp.com/fantasticworldspod.com/wp-content/uploads/2020/04/cropped-Icon-512x512-1-1.jpg?fit=32%2C32&ssl=1 General Archives - Fantastic Worlds Productions https://fantasticworldspod.com/category/general/ 32 32 Fantastic Worlds Productions true episodic Fantastic Worlds Productions info@fantasticworldspod.com ©2019-2020 Fantastic Worlds Productions ©2019-2020 Fantastic Worlds Productions podcast TV-PG Every Other Week Support us on Patreon! Support us on Patreon! 145152524 Jess’ October Movie List 2023 https://fantasticworldspod.com/jess-october-movie-list-2023/ Wed, 04 Oct 2023 22:00:00 +0000 https://fantasticworldspod.com/?p=7421 It's October, the most wonderful time of the year regardless of what that one song might have you believe. And just like last year, I'll be posting one mini review of a horror film per day for the month of October, and hopefully someone out there will find my input [...]

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It’s October, the most wonderful time of the year regardless of what that one song might have you believe. For me, this season (I’m sorry, I don’t call it “spooky” season, we need a new name) starts in September – much like how for Christmas fiends, the season starts in November – so I’ve been voraciously consuming horror media since late August. Almost nothing but! And much like I did last year, I want to now share with you some of my findings. Specifically, I’ll post one mini review of a horror film per day for the month of October, and hopefully someone out there will find my input useful, or at least objectionable enough to argue about it. I love a good argument as long as it’s undertaken with the right spirit in mind and no one minds if I say a lot of mean things about movies I didn’t like.

On the topic of saying mean things, I’m going to get serious for a moment because I want to acknowledge something that’s important to me when it comes to the very easy task of judging things and writing down those judgments: making anything is hard. Making my dumb little drawings is hard. Making cocktail recipes is hard. Making our podcasts is really hard. And making movies, in particular, is unbelievably, ridiculously hard. I’m a class A hater and I have fun relishing that role, but on a very earnest note, I hold a lot of respect and admiration for anyone who creates things, especially things as complicated as movies. Of course, there are caveats to that statement that I’m sure I don’t need to really get into (e.g. people who make things for nefarious reasons), but I hope you take my meaning. I am, by no means, doing something that’s even within the same universe of difficulty as creating a movie in spewing out my little thoughts on them. If I bore some technical knowledge or had particularly honed skills in media analysis, sure, really picking apart and judging a film could be considered far more of an investment, but I have neither. I’m just a thing with a lot of opinions who happens to have an abnormally intense interest in film, who once considered studying film and did not do so, and who now has only amateur opinions to level at films because of that choice. Whatever, I love it and I like to talk about it. I even love (most of) the ones I hate, as bullshit as that sounds. So, with all that said and understood, please go into this list knowing that my harshness is hyperbole, and I’m just a passionate freak who loves to overdo it with the flourishes. Hence this entire paragraph. Now please enjoy my list, or don’t and come see me about it. I’m on our Discord a lot. Just be ready, because I’m extremely fucking stubborn. 

Note: If the table of contents isn’t showing up, try refreshing

October 1 - Huesera: The Bone Woman

Rating: 4/5

Where to watch: Shudder

An emotional exploration of motherhood, womanhood, and the repressive expectations of gender roles. The horror is in the body, it’s in the human mind, and it’s in the societal pressures that drive women and non-women with wombs to feel isolated and backed into a corner by the idea of what we’re meant to be. Needless to say, I loved it.

October 2 - The Sadness

BIG BIG BIG Trigger warning for sexual violence. Also, there is a lot of gore. I mean, just endless amounts of it. There’s so much fake blood splashing around in this movie, it becomes absurd – cartoonish, even – and that’s very obviously intentional. Same goes for violence of every stripe. Seriously, I cannot stress this enough, if you’re not into crazy, non-stop violence and blood, this isn’t going to be your bag. But if you want to sit on the edge of your seat through an unhinged, fucked up buffet of carnage, chaos, and cannibalism, The Sadness will give you that experience. As the title implies, it’s probably going to bum you out, but it’s also going to keep you thoroughly entertained, I promise.

Rating: 4/5

Where to watch: Shudder

October 3 - Skinamarink

Rating: 2/5

Where to watch: Shudder

I attempted to go into this blind, but people were weirdly vocal about Skinamarink for a hot second when it first came out. I say “weirdly” because like… I don’t know why anyone would get so worked up about this movie one way or the other. It’s a mildly experimental slow-burn and basically, that’s all there is to it. I don’t care for over-reliance on jumpscares so I appreciated that they were few and far-between, but each of them is accompanied by an unnecessary and overly loud noise. You don’t need to destroy my cochlea to get your point across. It would in fact be far more unsettling to simply cut away without any additional sound. Aside from that, there are things I liked about it (particularly, its restraint), but cutting down its runtime to around half an hour would serve this movie well, I think. At least then I could appreciate what it’s trying to do instead of waiting with growing impatience for it to do something else. I dunno, it’s a dud for me, sorry. Maybe I’ve just watched too much analog horror. I do hope that Kyle Ball gets to make another movie because I’d like to see something else from him.

October 4 - Nocebo

Straight off, when I read the summary for this movie, I was worried about how the folk magic aspect would be handled. At this point, I’ve seen so many horror films that pervert and fetishize the spiritual practices of other cultures (see: nearly every depiction of voodoo and hoodoo) that I’ve grown wary of narratives that include these things. Nocebo, however, is not like so many of its predecessors. I am by no means an authority on this, so take my endorsement with a grain of salt, but if you’re looking for better reassurance, look no further than the Filipino actors and writers involved in the project themselves in this article (there are spoilers, so read at your own discretion). What Chai Fonacier and Ara Chawdhury have to say about representation and the importance of folklore and mysticism is fascinating. Anyway, I’m getting off-topic, so let me just say I really liked this movie, and even if you’re sometimes put off by narratives that focus heavily on social issues, it’s just good entertainment. Stories like this can sometimes come off as lackluster when storycraft is eschewed in favor of the message, but Nocebo is (mostly) subtle enough that it does justice to the subject matter.

Rating: 3.5/5

Where to watch: Shudder

October 5 - Resident Evil: Death Island

Y’all, this is an animated Resident Evil movie, so we all know what we’re gonna get with this, right? So here are the strengths and weaknesses, bearing that in mind. The strengths: the action is pretty fun. I love wild, over-the-top stunts, and you’re always gonna get a ton of those in an RE property. Jill gets the best choreography by far since she’s basically the main character, and she whips ass. It’s also nice to see all of our most beloved Resident Evil characters together in one place, though more thoughtful interaction between them would be great. Also, everything looks really good. Aside from a few uncanny facial expressions, the character models are great and the effects are well done. Finally, you gotta love that creature design. 

Big, nasty RE flesh monsters should feel a bit played out, at this point, but the villain’s final form in this movie is gnarly and disgusting in a fantastic way. On to the weaknesses: as I said, it’s a Resident Evil movie, it’s going to have some stilted dialogue, that’s just par for the course. Still, it’s pretty egregious here. The villain monologues completely defang our main bad guy because he sounds like a college freshman learning about absurdism for the first time. The voice actor tried his best with the material he was handed but man, you could add a few more belts and zippers to his outfit and drag and drop him into Kingdom Hearts no problem. That’s the level of writing we’re dealing with. The only thing I can say in this character’s favor is that there was an attempt made to give him some genuine justification for his bullshit. Like, he’s definitely not wrong that the heroes of this series never diagnose or treat the real problems that cause repeated bioterrorism attacks around the world and that they’re tied up with organizations that are deeply flawed and protect the status quo. His reaction to all of that is what’s stupid, though. Also the fact that he was like “I’ll make you feel my pain” but then finds out like five minutes later it didn’t pan out and shrugs it off like that part didn’t even matter to him and that he expected it wouldn’t work… ok, so what was the point dude? You knew you had four people who have repeatedly thwarted other bioterrorist masterminds just sitting around, easy pickins, and you were cocky enough to think nothing would come of that? Seems poorly thought out to say the least, and the feeling that nothing he’s doing matters persists throughout the entire movie. There’s simply no suspense, and never any concern that the four most important characters in the RE franchise will fail. That simply would not and cannot happen, so even when they seem like they’re down for the count, you’re just sitting and waiting for the part where they get better. It’s like Chris says near the end “Looks like us suckers win. Again.” 

Finally, I know that helicoptering away is the definitive and expected ending to any RE thing now, but I really wish they’d given the final scene some levity. Have the five of them go get a drink and get some nice character interactions in, I dunno. End with some charm! But no, we get a gore-splosion and a sunrise helicopter ride after some terrible quips. How very Resident Evil. Overall, not very good, but fun enough to watch (specifically for the ass kickings Jill dished out) that I didn’t mind it.

Rating: 1.5/5

Where to watch: rentable on many platforms

October 6 - Malum

Within under five minutes of the start of this film, I thought “no, I don’t think so.” Does that mean I stopped right there? Of course not. I watch everything to completion unless it’s the mosts abhorrent dogshit you can conceive of. And even then, well, I watched Halloween Kills all the way through, so you can deduce for yourself how much I value my own time. This movie is a remake of Last Shift, a tight, tense little film that centers around a rookie officer’s night in an abandoned police station. And I have a weird soft spot for Last Shift. I think it’s fun, creepy, and has some neat visual stuff going for it. Is it perfect? Hell no, but it’s miles better than this. For those who have watched Last Shift, here are some weird tidbits of note: the cult has apparently made itself very visible and obvious in this version of events, pulling such stunts as sitting on the new police station steps and singing, throwing piglet heads at police cars, and kidnapping previously saved victims. It’s honestly some Looney Toons shit.

In case I haven’t made this abundantly clear already, this movie has none of the delicacy of its predecessor. It over-tells, over-shows (see: the long, lingering shots on the entrance to the Holding cells – do you think she’s gonna go in there and it’s gonna be bad!?), and worst of all, over-explains everything. The scenes of the cult carrying out its murders, which were previously left to the imagination after pretty well-done descriptions in Last Shift, are shown in awkwardly filtered high-definition. The emotional turmoil of the mother, which we might have inferred from her brief phone conversations with her daughter in Last Shift, is displayed via wholly unnecessary exposition-dump scenes where she stupidly refuses to speak up for herself until the last possible moment. And the prickly and unstable character of Officer Cohen  is turned into a cartoonishly awful person. Very subtle, eh? As I said, Last Shift is by no means poetic cinema, but it does have some restraint. Malum has none. That unabashedness would ostensibly make it enjoyable in its absurdity – and I did end up laughing out loud at least 3 times throughout my watching experience – but the problem is that it’s still grasping at the tone set by the original, and that’s far too somber and serious to be fun. The one thing both films have going for them, it must be said, is their leading actresses. 

Both Jessicas are phenomenal, and sell the lackluster cult plot far better than one might expect of a film of this caliber. They also both manage to make it seem a lot less stupid than it is that a major feature of the character is reciting some sort of police code anytime they’re upset. Anyway, this one is a safe skip. Just watch Last Shift instead, seriously, it’s on Tubi for free and it’s actually enjoyable.

Rating: 0/5

Where to watch: Tubi

October 7 - Terrifier 2

I hesitated to even include this on my list, let’s start there. The main reason for that is that Terrifier didn’t really scratch any itch for me with the first film. Sure, it made me laugh at least twice that I can remember, and some of the kills were a good time. And sure, I do remember it, but that’s mostly as the basement trash movie that used dog food as doo doo in a scene where the killer wrote his own name on the wall of a restaurant bathroom. It wasn’t good, is what I’m saying. Terrifier 2 had it all to play for, then, as far as I’m concerned. I’m not someone who’s going to hold a bad first take against a series in every case, so I decided hey! Blank slate for you, Terrifier 2. Even with that, um, this shit sucks. Attempts at poking fun at the genre feel half-baked and unoriginal, the special effects range from terrible to mid, and good god, it is fucking long. There will be like four creative flourishes total in one of these things and they expect me to spend two hours slogging through the rest? No thanks.

Here’s a short list of the things I liked about it: Terrifier Junior (pictured above). Vicky giving birth to Art’s head. The Clown Cafe sequence. The performances of Art and Sienna. Here’s a selection of what I disliked about it: most of the kills are boring and drawn out. Every attempt at cleverness comes off as cringe. The plot is only funny-bad on paper; in practice, it’s grating and exhausting. And I think that point is indicative of what is largely wrong with these movies: they’re too self-aware, and everything comes off as calculated and trite as a result. To be truly good-bad, to schlock with the best of them, you need at least some degree of sincerity. You’re simply not going to get that from these films, from what I can tell. And hey, I could be totally wrong about the director’s intent here, but that’s the reading I got. Sorry. Tl;dr, there are some nuggets and gems to be found in this film, but overall, it fails at nearly everything it seems to be aiming for.

Rating: 1.5/5

Where to watch: Prime Video

October 8 - Perpetrator

Rating: 2/5

Where to watch: Shudder

The first two words that came to mind within 20 minutes of this film’s start were “tonally confused.” Then I had the thought “feels like a higher budget, slightly toned down CW show.” But I was still having fun at that point so I shrugged and waited the feeling out. Well, it only got more tonally confused and more CW from there, so… my mistake. I’m not going to say that made it entirely insufferable, but it did give it a certain degree of suck that was hard to overlook. At the same time, I didn’t totally hate it. If you let it, it will carry you away into the surreal little world in which the events of the movie unfold, and as long as you keep your thinking cap off, you’ll have a good enough time in that world. If I had to pick one thing I liked about it most, it was how gross it was 🙂 In a fun way!

October 9 - Under the Shadow

As you might expect considering that this is set during the Iran–Iraq War, Under the Shadow is heavy. It’s a painful watch, brimming with emotion and tension and a great deal of subtext to chew on. It takes some time to get to the scares, but they’re effective once they hit. There are only a few near the end that start to veer more towards goofy rather than scary, and that’s mostly because of the effects. Overall, a really affecting, well-paced, well-executed film.

Rating: 4/5

Where to watch: Netflix

October 10 - Bedevilled

Rating: 0.5/5

Where to watch: Hi-Yah TV/Rent on Amazon

The tone of the early scenes of this film is fucked. Some of the acting is truly godawful, that’s the main problem, but there’s something else that just feels weird and dry and wrong about the whole thing. Still, I was at least holding out for some kind of satisfaction because the description told me this was a revenge film, and dang did I want to see that revenge once I got to know all the awful people in Bok-nam’s life. It also felt like it was leading up to some unhinged, fun kills, which I’m always up for. However, I had to wait more than an hour for anything even remotely good to happen, and that span of time left a truly rancid taste in my mouth. The director had little to no delicacy in depicting the grooming of Bok-nam’s child, and the actor portraying the little girl did not need to be exposed to the lines and scenes laying out the abuse for us to get it. I know this film was never going for subtlety, but damn, could at least one part not be told with all the finesse of a sledgehammer? At some point I started to think the whole thing was intended as a black comedy, as distasteful and stupid as that would be. Everyone is just so cartoonishly, one-dimensionally evil, and the acting verged on campy. The only positive thing I can say about this piece of shit is that the revenge is well-earned and a relief to witness.

October 11 - Hell House LLC II: The Abaddon Hotel and Hell House LLC III: Lake of Fire

I watched these so you don’t have to, and yeah, I decided to make this review a two-fer. In fact, we might call it a three-fer because I’m going to talk about the first movie now. Hell House LLC (which has been massively overhyped) is one of those films that starts off really promising and then quickly becomes intolerable. It’s the typical “none of these characters are compelling” problem that many such horror films tend to have, and it’s not made any better by the slow, mostly uninteresting haunting that happens around those characters. The ending twist would almost be good if it weren’t executed so poorly and stalled by an over-long slog of a film. So do the sequels fare any better? Short answer: no. Longer answer: anything redeeming found in the second movie is completely overridden by the goofy fake news segments and things of that ilk, and anything redeeming found in the third is completely washed away by the baffling absurdity and clumsiness of the climax. In both, the scares are repetitive and boring, but I found at least a few of them fun enough that I wasn’t rolling my eyes constantly. Still, these are bad movies and I wouldn’t recommend watching them to just about anyone. It’s just ideas ideas ideas with no execution. The end.

Rating: 1/5

Where to watch: Shudder

October 12 - Bones and All

My aunt – who does not love horror and is known to check out during long films – came downstairs from bed, saw one very early scene in the film, and sat down to watch this with me late at night when she was tired. I think that’s a pretty strong testament to its quality. That’s not to say it’s without its flaws, however. I found the first major climax to be kind of lacking, and I’m sorry to miss Sevigny, but I think it was partially her performance that turned it into a whiff. I also thought some of the book logic needed retooling for the big screen, and that was the other contributing factor. I mean, obviously a lot of that was done already, but there were still some bits left behind that just felt awkward and ill-fitting. Now, all that said, my score should tell you that I still liked this movie a lot and definitely recommend it.

Rating: 3.8/5

Where to watch: Prime Video

October 13 - The Hallow

Things I liked: the atmosphere, creature design, finale, and performances. Things I was less thrilled about: the overall lack of tension. Most of the scares are just not effective. Other than that, it was a fun time. There are a good handful of films with a similar premise/in a similar vein, but this one stands out from the others I’ve seen of that group. It was in its favor that they didn’t spend too much time focusing on researching and explaining the creatures, which is often a weak part of films like this. We learn just enough about the titular hallow to maintain a degree of mystery and interest. 

Rating: 3/5

Where to watch: Shudder

October 14 - The Nun 2

Man… whatever. Nothing ever feels like it matters in these movies. They’re dumb, and they know they’re dumb, and sometimes that makes magic. Other times, it makes whatever this is. I tried to turn my brain off and just enjoy the goofy parts, and I was able to produce a chuckle approximately 3 times, but damn I am so sick of the Conjure-verse. This was my last time giving any property related to it a shot. The only positive thing I have to say is that it’s at least marginally better than the first one, but frankly, that means next to nothing considering the films we’re talking about here. It’s just different degrees of shit. 

Rating: 1/5

Where to watch: Theaters, rent, or buy

October 15 - The Killing of a Sacred Deer

Do yourself a favor and do not look up anything about this movie before you watch it. I think part of its ability to induce anxiety and distress is dependent on not knowing what’s going on until you’re in the thick of the film. In fact, what lowers its score for me is that without the tension of the unknown, its slowness becomes sort of grating. Like, seriously, some of the scenes way overstay their welcome. All that said, it’s good. It’s upsetting in a way I can appreciate, and the experience of watching it – perhaps even if you do know what to expect – is well worth it.

Rating: 3.8/5

Where to watch: Netflix

October 16 - Satan's Slaves: Communion

I preferred the first one (you should check it out). That’s primarily because Bahri’s trajectory in this bummed me out, though. Secondarily, it’s because there’s a really annoying camera flash sequence at the end that went on way too long and was initially accompanied by a noise that made me want to jam a pencil in my ear. And finally, it’s because there were a few too many sub-plots. Disregarding those things though, this was a lot of fun. The main strength of these films is the characters and the family dynamic – and that was just as good this time as it was in Satan’s Slaves – but almost as important is the atmosphere. The director always gets it juuuuust right as far as I’m concerned. To put all this another way, there was some setup for a sequel, and I am happily anticipating it after Communion.

Rating: 3.5/5

Where to watch: Shudder

October 17 - Warning: Do Not Play

This started off really promising, tiptoed through the second act with little to latch onto, and ended with a string of cliches. I think trying to sell a meta-narrative is just a bad idea unless you can really nail it. This does not nail it. We needed a foil for the main character- a woman obsessed with creating a horror film who then becomes obsessed with a ghost snuff film – and that was not provided. I know some would claim that’s what the director of the ghost snuff film is for, but he’s far less a foil than he is a glimpse into Mi-jung’s future if she keeps pursuing her obsession. Maybe I missed something about her younger friend and he’s meant to be the foil, but he’s practically a blank slate and doesn’t express the love for horror that Mi-jung and Jae-hyun do, so I really don’t think so. I dunno, it wasn’t terrible, it just wasn’t all that good either.

Rating: 2/5

Where to watch: Shudder

October 18 - Super Dark Times

A horror drama about annoying teenage boys. As you can imagine from that description, there is a lot of insufferable dialogue to sit through. There’s also some good nuggets, but a ton of the experience of watching this is putting up with how grating most of the characters are. It’s also slow, which is not necessarily a bad thing, but it’s something to consider if you’re interested in checking it out. Still, I liked this film quite a bit. The thick unease that settles in as events unfold is cut well with some supernatural-feeling dream sequences, and the whole thing stays grounded in a way that twisted my stomach. More drama than horror, I’d say.

Rating: 3.5/5

Where to watch: Shudder

October 19 - The Heretics

The opening scene – an artlessly shot cult sacrifice – told me this was going to be shit. It has no tension, it goes on too long, and the cultist costumes are barely passable on the creepiness meter. Then the tone gets all serious and dramatic, but the problem is that Gloria, the main character, and her girlfriend Joan have hair and makeup styling that is so drastically different from the rest of the cast, it immediately ruins the atmosphere. And that’s something that will persist. No matter what our main character goes through, her eye makeup and falsies always stay perfect. She may get gunked up in other ways, but you know, gotta stay pretty through it all. Anyway, this then becomes a captivity movie, and man, it’s a fucking boring one. The only interesting thing that happens for quite awhile is that Gloria’s girlfriend goes apeshit while looking for her. Anyway, the weird thing about this movie is that it kind of verges on being interesting here and there, and it’s not even terribly made nor poorly acted. It’s bad in an unexpected way, is what I’m saying. Which is a shame, because I love me a monster transformation movie. If you want to see what little good there is to be found here, just watch the last 20 minutes and you’ll get the gist.

Rating: 1/5

Where to watch: Tubi

October 20 - Head Count

I can’t pinpoint just one thing that was responsible for this film not working, it simply didn’t. There are all these shots of people lurking around that are intended to create tension, but the anxiety never comes through. The intervening scenes are either pleasantly banal or slightly awkward; my discomfort came from secondhand embarrassment more than anything else. About 50 minutes in, stuff starts to veer in a more interesting direction, but then there’s some computer nonsense that turns it goofy. If I had to name a few nice things about the film, I’d say it looks good, the final 20 minutes are kinda fun, and it’s not too long. Aside from that, there’s not much to see here.

Rating: 2.5/5

Where to watch: For rent on many platforms

October 21 - Lucky

An interesting premise well-told. It’s not immediately evident what Lucky is really about at the start, but as our main character May goes through the same experience night after night with the same reactions from the people around her, it becomes unsettlingly clear what the message is. In fact, it gets a bit too heavy-handed for my taste towards the end, but up until the parking garage, I was loving this. Even after the parking garage, I really enjoyed Lucky. It certainly helps that May’s feelings are all too familiar.

Rating: 3/5

Where to watch: For rent on many platforms

October 22 - La Llorona

Gripping and impeccably made. So many movies have trampled this folk tale that I was kind of expecting schlock in spite of the beautiful cover and promotional image. Instead I was met with a thoughtful, quiet, and engaging tale centered around revenge and justice. My one criticism is not that it’s too long as I might normally say, but that because it’s quite clear what our destination is, the journey sometimes crawls where it should run. Maybe I’m just impatient, but I don’t think I’m alone in that sentiment. Regardless, a lovely watch, though not the kind of horror you’ll want to seek out if you prefer lots of scares.

Rating: 4/5

Where to watch: For rent on many platforms

October 23 - The Power

This film starts off with a tried and true setting for horror (a hospital at night) throws in a meek protagonist with a troubled past (Val) and then attempts to delve into issues it’s not entirely capable of grappling with. The first complication is that some of the characters – fellow nurse and mean girl Babs, in particular – lean more caricature than genuine portrayal, which is a shame because there is tension and atmosphere to be found when those characters aren’t throwing scenes off-kilter. In that vein, the second problem is that when you’re dealing with such topics as sexual assault, misogyny, class dynamics, and abuse of power, subtlety is key. For want of that, you need a telling that’s less bleak and somber than this, or at least one with a unique artistic direction (à la our 10/21 entry, Lucky). Instead, what we get in The Power are many moments of clunky, on-the-nose dialogue and action that do a disservice to the narrative. From our main character Val’s ridiculous contorting and jerking around, to Babs’ schoolyard mockery, so many scenes come off as silly rather than striking. The ending most of all. Again, a shame, because I appreciated the parallel narratives of the ghost and Val herself, and the sometimes-successful attempt at telling a story about the intersection of classism and sexism. Anyway, this movie is very nearly good, and that means I can’t put it in the dud category, but if you’re not a pretty diehard horror fan, you’re probably not going to find much to latch onto here.

Rating: 2.5/5

Where to watch: Shudder

October 24 - Evil Dead Rise

I thought the bloodiest movie on this list was going to be The Sadness, but Evil Dead Rise has it beat by approximately one elevator’s worth. Anyway, this was nasty and crazy and fun in nearly all the right ways. The fact that they keep making Evil Dead stuff and it keeps being pretty good is a welcome surprise. It does suffer from some weird writing choices and you will likely reach the gore desensitization threshold pretty quickly, but it was still a good time. A great one to watch with friends.

Rating: 3/5

Where to watch: (HBO) Max

October 25 - School's Out

The main issue with this film is one of pacing. The odd happenings witnessed by our protagonist Pierre become repetitive without breaking new ground, leaving us mired in the same sensation for long enough that it loses its edge. At least one of the samey scenes of the students being weird could have been cut without losing anything and every scene of the children performing needed to be trimmed by half. The content of the film, otherwise, is fine. It’s a generational divide movie with a bit more substance to it than the usual “evil children” type of story, but it’s still nothing groundbreaking, which isn’t a bad thing. I quite liked it, and along with the strong performances, it made for something mostly engaging if sometimes, as I mentioned, a bit slow.

Rating: 3/5

Where to watch: Shudder

October 26 - The Crescent

Rating: 2.2/5

Where to watch: Shudder

I’ll be honest, you can kind of win me over with cool visuals as long as the rest of the project isn’t completely awful, and this movie does have some really cool visuals. Some of the editing choices almost veer into student project territory, but I think they toe the line well enough that it doesn’t hurt my impression of the film as a whole. The performances, on the other hand, are where things get a bit rocky. They range from decent to shaky, with no one doing an outright terrible job. The mother’s understated, extremely depressed demeanor works at first, but during the last 15 minutes of the film, you can tell she’s not necessarily ready to play out more emotion-intensive scenes. There’s a neat reveal during this section that makes up for that, so I won’t harp on it. There are parts – and the end sequence is one of them – where the low budget really shows, but taken as a whole, I was willing to overlook those parts. And really, now that I’ve written all that out, I’ve basically stated that I’m breezing past some mediocre performances, low-budget struggles, and weird edits because I dug the visuals and the vibe. And I stand by that. I kind of liked this movie. It did the whole sad, meandering slow-burn thing but I felt the tension they were aiming for right in the gut, probably because there was a very small child involved. I don’t know if that’s cheating or what, but it worked about as well as Skinamarink and I enjoyed this marginally more than that so… oh well. 

October 27 - Hellraiser (2022)

Being better than 70% of all Hellraiser movies isn’t the highest of praise, but it’s what I can offer to this film. It’s very, uhhhh, competent. It’s also missing some things. The watching experience is frustrating that way. This film often brings you just to the edge of something good, then reels it in faster than you can blink. It was honestly tiring. That being said, I mostly loved the look and lore of the updated cenobites, and I found the third act pretty fun. I think I would have really liked this film if the non-fantastical plotline had been handled better. The drug addiction story didn’t fall flat on its face, but it didn’t compel or interest me much, and it barely even served its main intended purpose.

Rating: 3/5

Where to watch: Hulu

October 28 - Cobweb

A genuine Halloween movie, and yes, there is a difference between Halloween movies and horror movies. It’s not just that it’s set around and on Halloween day, it’s the tone, the slight silliness, the fairytale dreaminess of it all. Anyway, this film is not incredible, but if you let it carry you away, it’s a super good time. Conceptually, it’s goofy, but the execution is so good that it works. You could kind of see the point where they ran out of money, but it didn’t take enough away from the rest of the film that I care. I’m sad to see that this film seems to have flopped because I think it deserves more love.

Rating: 3.5/5

Where to watch: Hulu

October 29 - Candyman (2021)

I don’t know why it took me so long to getting around to this. The original Candyman is one of my favorite horror films, and this is a more than worthy sequel. There are a few moments where it over-explains itself, and the first act is wobbly, but by the end, I found myself fully engrossed and chilled.

Rating: 3.5/5

Where to watch: Prime Video

October 30 - Martin

I wanted to include at least one old film on here since I’ve been revisiting classics and filling in holes in my watch history. I thought Martin would make a good candidate since I don’t think I’ve talked to a single other person who’s seen it, and that’s a real shame because it’s genuinely affecting. It’s not a light-hearted watch, so don’t put it on if you’re already in a dark place, but if you’re in the mood for a compelling – if dreary – film, Martin is quite good.

Rating: 3.5/5

Where to watch: Internet Archive

October 31 - Talk to Me

My expectations were high and I was not disappointed. This film is quite good. I hope we get an extended cut at some point because I would love to see more of Mia’s development, honestly. There are a few moments that don’t quite work perfectly, but overall, this was so fresh and creepy and disturbing I couldn’t find much that really let me down about it.

Rating: 3.8/5

Where to watch: for rent on various platforms

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Getting Started with Pathfinder https://fantasticworldspod.com/getting-started-with-pathfinder/ https://fantasticworldspod.com/getting-started-with-pathfinder/#comments Fri, 13 Jan 2023 01:22:37 +0000 https://fantasticworldspod.com/?p=6926 Looking to get started with Pathfinder we have setup a few resources to help get you started!

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Welcome to the world of Pathfinder, a popular fantasy role-playing game with a dedicated community of players and fans. With the recent surge of interest in the game, we wanted to take a moment to highlight some of the resources available to those new to the system.

 

The Beginner’s Box is a great place to start for those new to Pathfinder. This box contains everything you need to get started, including a rulebook, pre-made characters, and a simple adventure. You can find the Beginner’s Box for free on Paizo’s website at https://paizo.com/pathfinder/beginnerbox.

For those looking for a space adventure, we recommend checking out Paizo’s Starfinder rules-set. With the ability to play as a space orc or pilot giant mechs on far-flung planets, Starfinder offers a unique and exciting gaming experience. The Starfinder Beginner Box might also be a good starting point for you.

If you’re coming from 5e, we suggest taking a look at Pathfinder 2e. The fully free rules for this edition of the game can be found at https://2e.aonprd.com/. The website “Archives of Nethys” also has an excellent guide for players new to the system, which can be found at https://2e.aonprd.com/PlayersGuide.aspx.

Finally, for those looking for a convenient and easy-to-use character builder, we recommend checking out the free online builders at https://pathbuilder2e.com/ or https://wanderersguide.app/. These online tools will make it easy to create and manage your characters.

Additionally, we welcome you to check out our podcast Far Beyond the Stars which features the Starfinder Rules System and Fantastic Worlds Podcast which features the Pathfinder Rules System.

We hope you enjoy your time with Pathfinder and have many fantastic adventures. The community is friendly and supportive and you will find a lot of resources and people to help you on your way.

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Jess’ October Movie List https://fantasticworldspod.com/jess-october-movie-list/ Tue, 18 Oct 2022 07:00:00 +0000 https://fantasticworldspod.com/?p=6439 I’m sharing my October movie list. What is that? Well, kind of exactly what it sounds like: I'll be watching one horror movie a day for the month of October and writing a very short review.

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What you will find below is a list of films I watched for each day of the month of October 2022, along with my rating and short review of each. Below that, a partial list I cobbled together in 2021 when I tried to do the same thing, and some other horror film recommendations and reviews. Enjoy!

October 1 - Umma

Film: Umma

Where to watch: Netflix

Rating: 1.5/5

I regret that I have to say this, but the month’s offerings started off with a whimper. I really wanted to like Umma. It has some good elements, it just doesn’t really deliver on what it’s promising. Especially when what it’s promising is such an important and difficult story to tell. Sandra Oh is always great – that goes without saying – but she can’t act away a flawed script and jumpscares that don’t even elicit a jump. Certain moments were very affecting, but ultimately, I came away from this film underwhelmed and sad for the wrong reasons.

October 2 - You Won't Be Alone

Film: You Won’t Be Alone

Where to watch: Peacock

Rating: 4/5

Even before watching the rest, I know for certain that this film is unlike any other on this list. And unless you’re looking for a gentle folktale with a smattering of dark elements and gore, I wouldn’t really offer it as a horror movie recommendation. That being said, I would certainly recommend watching it when you have the time. It’s breathtaking, it’s aching, it’s novel. 

My one criticism is that it could be edited down just a touch, but that’s something you will hear me say often. I’ll probably start to sound like I hate long movies, but that’s not true. As long as the time is used effectively, I don’t mind, I just found that You Won’t Be Alone became repetetitive at times.

October 3 - Fresh

Film: Fresh

Where to watch: Hulu

Rating: 3.5/5

Fun! I don’t even know what else needs to be said. This one was really fun. It struck a great balance between nauseating and charming, and everyone in it was fantastic. I could write some rambly shit about the feminist messaging and the parts that were lacking and so on and so forth, but I think this movie is quite simply a great time and worth a watch.

October 4 - X

Film: X

Where to watch: Currently only available to rent

Rating: 3.5/5

This film is one of the only (if not the only) Texas Chainsaw inspired films to actually get me on board. It pays homage to 70s horror and exploitation films without limiting itself to the constraints of those genres. This film has a good deal more humanity than your typical slasher, for one. But it’s still grounded and gritty and smutty and gory. I think there are one or two scenes I found myself checking out from, but otherwise, it made me feel shock, unease, and amusement in spades.

October 5 - The Long Night

Film: The Long Night

Where to watch: Shudder

Rating: 1/5

This movie takes itself very seriously. This movie is also very dumb. The main characters are unlikable New York yuppies, the plot is dull and plodding, and there is not a lick of tension or fear to be found anywhere over the course of its 90 minute runtime. I got a good laugh out of the first murder scene because the music they played over it was kind of bonkers, but aside from that, I was bored out of my mind. I’m giving it a point for having some cool visuals, good performances, and at least not making me angry.

October 6 - So Cold the River

Film: So Cold the River

Where to watch: Currently only available to rent

Rating: 2/5

I dunno. That sums up how I feel about this movie. It has some spooky parts that I very much enjoyed. Then again, there are lots of other parts I could take or leave (leaning towards leave). I think this movie might be up someone else’s alley, but for me it didn’t really hit.

October 7 - The Other Lamb

Film: The Other Lamb

Where to watch: Hulu

Rating: 4/5

Disturbing, gripping, and intense. This is not a standard horror story, and one I wouldn’t look to if you want typical thrills and chills. It is a fantastic movie, however, and one I highly recommend. Trigger Warning for rape.

October 8 - Bliss

Film: Bliss

Where to watch: Shudder

Rating: 3/5

I hate these people. And the movie wants me to hate them, I’m pretty sure of that. Watching this made me wonder, momentarily, was I this obnoxious during my partying days? But upon reflection, even though I definitely was obnoxious, I don’t think I was nearly as unbearable as the characters in this film. However, I will give it points for being a vampire movie that actually gets gory and horrifying with it, and also for having cool visuals and music that’s right up my alley. So like… I kind of liked it? The 3 I’m giving it is a very personal 3. And if you, like me, sometimes enjoy style over substance, you can skip the first 30 minutes or so of this film and get right into the parts that make it fun. That’s the only watching experience I can really encourage for most people.

October 9 - The Black Phone

Film: The Black Phone

Where to watch: Peacock

Rating: 3/5

I was pleasantly surprised by The Black Phone. It delivers on an interesting concept, the pacing is pretty good, and the performances are, on the whole, decent. The one thing I have to note is that the film teeters on the edge of corniness basically the entire time, and often falls right into it. A little cheese is expected for a film like this, but some scenes are full-on cringey.

October 10 - Barbarian

Film: Barbarian

Where to watch: In theaters/HBO Max on Oct.25

Rating: 3.5/5

Trigger warning: references to rape, use of the f-slur. This movie threw me for a loop repeatedly, and I don’t want to give away much more than that because I think you should see what I mean for yourself. I was entertained, surprised, and jarred. Suffice it to say, I recommend Barbarian.

October 11 - The Cursed (2021)

Film: The Cursed (2021)

Where to watch: Hulu

Rating: 2/5

I docked this movie several points because I truly cannot believe that the crux of a movie made in the year 2021 is a Romani curse. How have we not moved past this? There was potential for this film to turn out much more interesting if the rest of it weren’t so messy in regards to its handling of the Romani victims. 

The entire time, it’s like you can hear the creators going “aww, well, listen, we know it was real bad what the rich guy did to those folks, but you know, it’s also real bad that they cursed the entire village, innit? They’re definitely worse, right? You agree.” I instantly got a bad taste in my mouth during the inciting incident and it would not go away long enough for me to truly enjoy the redeemable parts of this movie. It’s visually lovely, unique, and has several very effective scenes, but all of that is entirely overshadowed by racism. Racism that they try and fail to grapple with in the plot, funnily enough.

October 12 - As Boas Maneiras (Good Manners)

Film: As Boas Maneiras (Good Manners)

Where to watch: Amazon Prime/Shudder

Rating: 3.5/5

I had absolutely no idea what was in store for me when I ran across this movie on Shudder. Part love story, part family drama, part… musical? Sort of? But it doesn’t even become a musical until like an hour in. This movie is weird, touching, a little silly, and entertaining all around. My nitpicks are that it is very long (at least for my taste) and the CGI is uhhhh not effective, but I’ll give it a pass on both counts because I truly don’t think I’ve ever seen anything else like Good Manners, and I don’t know that I ever will again.

October 13 - The Endless

Film: The Endless

Where to watch: Tubi

Rating: 3.5/5

All horror is very difficult to get right, but cosmic horror in particular is so rarely tackled ably that it’s a real treat when it is. The Endless is by no means perfect, but it’s one of the better cosmic horror films I’ve seen. It’s well acted, well shot, and well written. The filter over the whole movie is not my favorite thing in the world, and they lost me a bit during the last few minutes, but those flaws don’t diminish what this film accomplishes otherwise.

October 14 - The Last Thing Mary Saw

Film: The Last Thing Mary Saw

Where to watch: Shudder

Rating: 1.5/5

A droning and emotionless affair. The relationship that so much of the plot hinges on is poorly established and given almost no life. To put it bluntly, there’s a lot of tell and very little show. By the time anything interesting happens, you’ll have already sat through a punishing, bleak 45 minutes of quiet 19th century meandering. And that’s a shame, because I like the story being told and many of the techincal aspects of this film, it’s just that the execution is lacking in pathos. I’m not saying this was the worst thing I’ve ever watched, but it’s certainly not worth your time, and at a relatively short runtime of 89 minutes, that’s saying something.

October 15 - Hellbender

Film: Hellbender

Where to watch: Shudder

Rating: 2.5/5

This movie is kind of goofy but also kind of great. If you can look past questionable CGI and some scenes that are a bit cringey and indulgent, Hellbender will give you a good time. One of the things to its credit is that it didn’t go in the well-trod direction I was initially expecting. I think if it had, it would have been out of its depth considering the catalogue of existing movies telling that story. But because it veered into different territory and added some unique flavor to its witch mythology, it managed to stand out enough to keep me interested.

October 16 - Tigers Are Not Afraid

Film: Tigers Are Not Afraid

Where to watch: Shudder

Rating: 4/5

The children are precious, the visuals are charming, and the story is dark but intriguing. This movie is both fantastical and bleak, and it struck me more than almost anything else I watched for this list. It’s a project that wears its influences on its sleeve, but I don’t think that’s to its detriment at all. It takes those influences and molds them in a novel and wonderful way.

October 17 - All the Moons

Film: All the Moons

Where to watch: Shudder

Rating: 3/5

I would describe All the Moons as a dark fairytale drama, and a pretty successful one at that. It was occasionally a bit slow for my taste, and my suspension of disbelief was tested a few times, but I came away happy that I watched this film. It didn’t blow my socks off, but it certainly left an impression and even got me crying. That being said, it is very long, so if you don’t enjoy a slow burn, you’ll want to skip this one.

October 18 - The Dark and the Wicked

Film: The Dark and the Wicked

Where to watch: Shudder

Rating: 2/5

There’s nothing particularly fresh or new in this film, and unfortunately, it’s also pretty sparse in the scare department. There are some effects that were enjoyable and well-executed, but that’s about all it has going for it. It’s a slow burn, and a dour one at that, so as you might expect, I found it much too long. 

One of the other things I really disliked about it is the fact that it’s religious horror, and specifically, US American religious horror, which I find tiresome and grating. Also, in typical horror movie fashion, the stubbornness of some of the characters just got annoying by the end. Anyways, you can safely skip this one.

October 19 - The Wailing

Film: The Wailing

Where to watch: Tubi

Rating: 4/5

I’ve had this on my list for years, but never got around to tackling it because, well, with a runtime of over 2.5 hours, it kind of sounded like homework. However, once you take the time to watch it, this movie is as fantastic as rumored. Filled with dark humor and horror in equal measure, The Wailing does not waste the time it asks of you. It’s entertaining and eerie from start to finish.

October 20 - Halloween Ends

Film: Halloween Ends

Where to watch: Peacock

Rating: 3/5

For those interested in a spoiler-filled review, you can find it at the very bottom of this page. Let me say right off the bat that I wasn’t even planning on watching this movie let alone reviewing it. What turned me around after the boring, trite, and eye-rollingly bad second entry to this trilogy was a thought that occurred to me after mishearing that the film would partially involve the Covid-19 pandemic. That thought was: what if Michael dies from covid? 

That would be so fucking funny, I couldn’t pass up the opportunity to find out for myself if that’s how things would play out. As I said, sadly this was misheard information, but the way this film unfolded was actually better, though less funny. Thus, I came away from Halloween Ends surprised, satisfied, and entertained. Is this movie perfect? No. But is it a pretty good watch? I really do think so, and that’s a rare sentiment for me when it comes to the Halloween series. Especially after Halloween Kills. You can find my thoughts on that pile of dogshit somewhere down below. Thankfully, you don’t have to watch it to enjoy Halloween Ends.

October 21 - The Night House

Film: The Night House

Where to watch: HBO Max

Rating: 3/5

Has some pretty neat, spooky stuff going on. I think I would rate it a bit higher if it didn’t show its hand so much near the end, but that’s a common horror problem, so I’m not docking it too many points. The scares are fairly effective, there’s some great imagery, and the lead actress gives a fantastic performance. There are some holes here and there, but overall, a solid film.

October 22 - V/H/S/94

Film: V/H/S/94

Where to watch: Shudder

Rating: 3/5

You can always count on a V/H/S anthology to be gory, shocking, disgusting, fun, and, most of all, stupid. V/H/S/94 delivers on what the rest of the series has promised, and it’s probably my favorite entry in the franchise so far, though I’m going to dock it some points for having an extremely cringey ending. If you sit down to give this one a go, make sure you’re approaching it knowing that you’re in for a lot of nonsense.

October 23 - Crimes of the Future

Film: Crimes of the Future

Where to watch: Currently only available to rent

Rating: 4/5

A good Cronenberg is like nothing else. His films are always full of fantastic spectacle, but they also leave you with something to chew on for the days, weeks, months to follow. Crimes of the Future has given me a lot to digest, but as with any film this unique, I can only give a qualified recommendation. If you’re a Cronenberg fan, you should certainly watch it. If you’re not, but you still enjoy thought-provoking, artful cinema, you should certainly watch it. If you want something light or escapist or brainless (which is sometimes what I’m looking for myself), try a different movie. There are some good popcorn movies in this very list 😉 

October 24 - Kuwaresma

Film: Kuwaresma

Where to watch: Currently only available to rent

Rating: 1.5/5

I almost didn’t include this film on this list. The reason I decided to, in the end, is so I can maybe warn a few other trans people away from it. Or, at least prepare you for what you’re going to get if you choose to watch Kuwaresma. The main character, Luis, is trans. And as is so often the case in cis-created cinema, this is treated insultingly and with casual transphobia. The framing of Luis’ transness is that he “convinced” himself he was a boy to avoid his father’s abuse, and to gain some degree of control in his life. 

This is not only a transphobic narrative, but an actively dangerous message to send. I don’t even really want to talk about this movie much more because I’m so disappointed by that aspect of it, but if I had to give it some praise, I’d say the acting, set design, and cinematography were all great. The story is a muddled, half-baked mess and it’s full of hackneyed jumpscares, so on the whole, a mediocre movie at best with a dash of transphobia to really round it out. Oh, and the cherry on top: it’s too fucking long.

October 25 - Howling Village

Film: Howling Village

Where to watch: Amazon Prime

Rating: 2/5

Kind of a dud. It’s fine enough for a half-hearted watch, but not really bringing anything special to the table. The atmosphere is completely unscary, and the effects are lame as hell, probably because they’re trying to be realistic instead of showing me something interesting. I was interested in the story, but the delivery did nothing for me.

October 26 - Knife + Heart

Film: Knife + Heart

Where to watch: Shudder

Rating: 5/5

After reading the synopsis for Knife+Heart, my first thought was “this movie was made specifically for me,” and I was so incredibly correct. Giallo-inspired! Soundtrack by M83! Explicitly homosexual! What more could I ask for? I won’t say it was a perfect film, but it was perfect for me. I’m trying to exercise some restraint and not drone on and on about this one, so I’ll sum it up by saying it’s simply fantastic entertainment and I’m in love with it. TW for sexual assault.

October 27 - Still/Born

Film: Still/Born

Where to watch: Shudder

Rating: 2/5

I was going to write about Bodies Bodies Bodies here, but I never got around to seeing it. So instead of something reportedly sort of goofy but good, and full of insufferable characters, I watched something rather bleak with mostly okay characters. This whole movie was pretty much just that: mostly okay. It lost me a bit during the obligatory “meet a previous victim” sequence, and any of the other times they had the antagonistic entity speak. Its voice made me giggle. Other than that, though, I kind of liked it. Well-trod territory aside, it had a decent spookiness factor, wasn’t over-long, and didn’t always play its typical horror movie beats in a completely typical way.

October 28 - The Medium

Film: The Medium

Where to watch: Shudder

Rating: 3.5/5

I have a lot of mixed feelings about The Medium. On the one hand, I think it’s a good horror movie. It’s scary, it’s disturbing, it’s gory. I actually felt a little bit freaked out after I watched it, and that’s no mean feat considering that I’ve been voraciously consuming horror content since I was a small child. However, with a runtime of over 2 hours, I think we all know what I’m going to say here. It’s too fucking long. It simply is.

It stood out to me even more when I realized that this is a sibling film, in essence, to The Wailing, an even longer film which I felt wasted far less of my time. I’m not saying what I was served over the course of this film was pointless or worthless, I’m just saying some additional editing could have gone a long way. Cut down the number of B-roll shots of (beautiful) scenery, maybe. Or include fewer frames of interstitial action. Remove, perhaps, one or two of the many nightcam sequences wherein samey possession-related things happen. Something! Do SOMETHING about it. Frustration over that aside, my second gripe with this film is that it doesn’t maintain its documentary feel well. In fact, it seems like the fact that it’s supposed to be a mockumentary is thrown away entirely on numerous occasions, the most egregious instances occurring during the climactic events of the story which I won’t spoil. Let me just say that I sighed the loudest as a camera was pointed directly into the face of something antagonistic as someone was being mauled. It jolted me directly out of my suspension of disbelief, and after that, I no longer felt the cold, coiled dread that had been building in the pit of my stomach anymore. I just sat back and thought “ok, so now we’re doing this I guess.” And it felt like a different movie had started. I’m not saying all of this is necessarily a terrible thing, or that it completely ruins the movie. I mean, I gave it the score I did for a reason, and what I said in the first few sentences stands. It’s just annoying that I think an even better movie is lurking inside of this one and some adjustment could really make it shine. Still, if you’re up for the 2 hour and 10 minute endeavor of soaking this in, it hits a lot of horror buttons and it hits ’em right.

October 29 - The Wretched

Film: The Wretched

Where to watch: Netflix

Rating: 3/5

I liked it! It didn’t blow me away, but it has decent entertainment value, and I think that’s just fine. It gave me what I wanted but also contained a lot of cool, unexpected bits. This is a rarity for me, but I actually wish this film was a bit longer to allow for some additional fleshing out.

October 30 - Blood Red Sky

Film: Blood Red Sky

Where to watch: Netflix

Rating: 1/5

Not really sure where some of the good ratings I’ve seen for this are coming from. What I will give it is that it goes for a real nasty, old-school kind of vampirism that I like quite a lot. On the other hand, there’s the rest of the movie which is plainly bad. The hijackers are irritating and unconvincing rather than intimidating. The passengers are even more annoying. And the son of our protagonist is one of the most frustrating characters I’ve seen put to film in some time. I would have at least been somewhat on board with certain parts if they weren’t so completely ridiculous yet lacking in joy. If you’re going to throw so much unhinged nonsense into your film, please at least make it fun.

October 31 - V/H/S/99

Film: V/H/S/99

Where to watch: Shudder

Rating: 2.5/5

After watching V/H/S/94 for this list, I was pretty excited and surprised to see 99 pop up on Shudder so soon. It’s only been a year since 94 released. Sadly, that was the better entry to the series, and I have to wonder if the lack of time between releases has anything to do with the drop in quality. Still, I can’t say this was terrible, as far as V/H/S films go. 

It had some segments I really enjoyed, and it pleased me to see that they opted not to hang the anthology on a framework story this time around, since that’s often the weakest part of these films. They instead went for something that was a little goofy, but certainly in line with the V/H/S brand. Anyways, on to the short films. I won’t go too into detail on what I thought of each. Suffice it to say, 2 and 4 were the weakest of the bunch, with creatures that often looked like Spirit Halloween decorations and storylines and characters that were actively grating and devoid of the fun I want from a V/H/S film. The fifth story, To Hell and Back, isn’t particularly great either, but features some cool makeup and a somewhat interesting setup, at least. My second favorite, Shredding, was mostly bolstered by its stylistic elements rather than plot, but it’s always fun seeing someone get their just desserts. Speaking of which, the standout, by far, was Ozzy’s Dungeon. This was the segment I was most excited for, and the one that left me the most entertained. After watching (most of) Kuso, I was interested to see more work from Flying Lotus in the film world. Because even though Kuso wasn’t really my thing – and I wouldn’t recommend it to almost anyone – I appreciated the intent and parts of what was presented in it. I was glad to see some of what intrigued me in Kuso in Ozzy’s Dungeon, and the visuals, music, and effects were fantastic. All-in-all, even though 94 had set the bar slightly higher than normal, I went into this knowing what I was likely to get from V/H/S. It was still mostly the goofy, weird, fun experience I’ve come to expect, it just didn’t hit as hard as its prequel, and it dragged a bit too much during certain segments.

Last Year's List

I attempted to do all of this last year and failed to follow through since I went for it last-minute, so instead of just scrapping what I DID get done, here’s some more movie reviews! 

Possessor

Film: Possessor 

Where to watch: Hulu

Rating: 3/5

If you watch this film, do yourself a favor and seek out the version that is NOT the director’s cut. Normally, I would never make that recommendation, but for this movie, I absolutely insist. I say this because personally I think the director’s cut undermines the movie’s message. Setting that point aside, this movie is a thrilling, twisted, and gut-wrenching experience.

The Vast of Night

Film: The Vast of Night

Where to watch: Prime Video

Rating: 3.5/5

The Vast of Night is a weird little movie. It’s tense, sad, and strange. Its pacing is frenetic and panicked at first, and then suddenly it stops and goes quiet. And overall, I found it really affecting. That said, I don’t know if I can recommend it because I’m fairly certain next to no one I talk to would enjoy it.

Apostle

Film:  Apostle 

Where to watch: Netflix

Rating: 3/5

Apostle has some of my favorite things in it: old god culty stuff, a witch-like creature, revenge, jarring violence. I will say, it’s not scary, nor does it seem like it’s really trying to be, but it is a decent film.

Proxy

Film: Proxy 

Where to watch: Prime Video

Rating: 2/5

Proxy is an absolutely wild ride. At no point during this movie did I know what was going to happen next, literally right up until the end. It has its issues – some questionable acting, an obviously low budget, a second half that drags so much I ended up on my phone more than once – but overall, it’s a surprising, sort of interesting film. If you like to watch basically anything you can get your hands on like me, you’ll probably find something to enjoy in this one.

Excision

Film: Excision

Where to watch: Tubi

Rating: 2.5/5

This movie is fucked up and kind of ridiculous, but also pretty entertaining. At the same time, I wouldn’t recommend this if you’re looking for something scary. If you’re like me, the hardest part of watching this movie will be all the second-hand embarrassment, not fear or tension. It seems to be intent on disturbing and upsetting the viewer rather than frightening us. I will say it’s quite gory throughout, but mostly in a kind of goofy way. At least up until a certain point when the creeping horror of what’s happening sets in.

Maniac

Film: Maniac

Where to watch: Tubi

Rating: 1.5/5

Here’s the thing about this movie, I can’t say it’s bad, it just wasn’t for me. I don’t know what it was about it that I disliked so much, but I did not enjoy watching it at all. I think that may be the point, so perhaps it achieved its intended effect on me, but I’ve left other movies not necessarily having enjoyed them while still taking something away from the experience. That wasn’t the case here. It’s a disturbing, quick movie, and it’s interesting in that it follows the first-person perspective of the killer, but it left me a bit underwhelmed.

Halloween Kills

Film: Halloween Kills

Where to watch: Peacock

Rating: 0/5

This movie, much like the old Halloween sequels, moved quickly from fun to cringey while also committing the sin of taking itself way too seriously. It’s also chock full of so many stupid, unfun, dry death scenes that I zoned out for almost all of them. And let’s not forget the fact that it thinks it’s making some kind of revelatory social commentary. Anyways, did you know that evil dies tonight?

Malignant

Film: Malignant

Where to watch: HBO Max

Rating: 4/5

Let’s just get this out of the way: Malignant will not be for everyone. However, if you love giallos, maybe give it a shot. If you love weird, ridiculous, wild shit, absolutely give it a shot. I’ve been entertained every time I’ve watched it, and if nothing else, it’s a fantastic movie to watch with other people simply to see their reactions. 

The Call

Film: The Call

Where to watch: Netflix

Rating: 4/5

Though it’s considered a thriller and not strictly horror, I think The Call is more than suitable for the Halloween season. I happened across it on Netflix and therefore wasn’t expecting much, but it turned out to be pretty interesting. It has some downfalls, the main one being the CGI, but it wasn’t egregious enough for me not to recommend the film.

The Howling

Film: The Howling

Where to watch: Prime Video

Rating: 3.5/5

This film explores a werewolf dynamic we don’t normally see put to film, contains social commentary that steps outside of the typical werewolf box, and the unsavory elements of the book the film is based on are displayed with great restraint (a credit to Joe Dante). I was also surprised that this movie came out in the 80s because it retains a grit and groundedness that was often scrubbed away as film shifted gears from the 70s to the 80s.

Scary Stories to Tell in the Dark

Film: Scary Stories to Tell
in the Dark

Where to watch: Netflix

Rating: 3/5

I avoided watching this for so long in large part because I have a lot of nostalgia for the books it’s based on and I assumed I would be disappointed. However, this movie did a pretty good job of bringing my favorite parts of the original books to life and threaded those things between a plot I found engaging if a little silly. A lot of films of this type ruin the tension they build near the end when too much starts happening simultaneously and the scenes become action-oriented rather than suspenseful. 

I think, unfortunately, this film fell into that trap a bit and the “Me Tie Doughty Walker” section stopped being creepy and tense and became boring. If I didn’t see another “driving around with a monster on top of the car” scene for 50 years, it would be too fucking soon. Still, the movie immediately gained back some points in the next part, which I won’t spoil. All I’ll say is this movie was a much better watch than I’d anticipated, and though I have my issues with it I had a good time, overall.

The Blackcoat's Daughter

Film: The Blackcoat’s Daughter

Where to watch: Netflix

Rating: 4.5/5

This is one of my favorite horror movies. The performances are incredible across the board, which is very necessary in a slow-burn like The Blackcoat’s Daughter. The tone created by the performance of Kiernan Shipka, in particular, is eerie and tense, and the ending is gut-wrenching. If you can’t handle slower-paced fare, maybe skip this, but otherwise, I wholeheartedly recommend it.

Mandy

Film: Mandy 

Where to watch: Shudder

Rating: 4/5

Mandy is pure, unhinged, unabashed, Cage-y goodness. And while I’ve enjoyed his performance more recently in offerings like Pig – a movie that proves that though he is usually typecast, he can still carry a slower, more heartfelt film as well – I was still thrilled to see him return to form after some other somewhat disappointing film appearances. Mandy is a glorious marriage of the raw power and insanity of a committed Nicolas Cage performance, and the psychedelic stylings of Panos Cosmatos. If you like weird, crazy, trippy movies with a lot of creative violence, Mandy is well-worth a watch.

Beyond the Black Rainbow

Film: Beyond the Black Rainbow

Where to watch: Fubo TV

Rating: 3.5/5

Speaking of Panos Cosmatos, Beyond the Black Rainbow is another of his films which I can only hesitantly endorse. Personally, I was a big fan. It’s unsettling, it has a unique tone and feel, and it’s visually delightful. I recommended this to my mom, who’s also a fan of weird shit, and she disliked it a lot, so I can’t say it’s for everyone. I couldn’t even particularly put my finger on who it’s for, exactly, but at least one person on that list is me.

Starry Eyes

Film: Starry Eyes

Where to watch: Tubi

Rating: 2.5/5

Intensely uncomfortable to watch, start-to-finish. I think if you’re a woman, or have been perceived and treated like a woman, it’s a bit harder to stomach. That being said, I quite liked the ending. The middle bits were kind of what I struggled with. It’s not that I didn’t like them at all, it’s just that normally this sort of story – one in which a woman slowly turns to evil – satisfies me more when she’s not subjected to your standard forms of misogynistic abuse and humiliation. Be warned, there’s a fair bit of that in the film. But it’s a fun watch regardless if you can stomach those scenes.

St. Maud

Film: St. Maud

Where to watch: Prime Video

Rating: 4.5/5

First off, I will give the warning that there is a very short rape scene in this film. Even leaving that scene aside, this movie got under my skin and confronted me in exactly the way I appreciate from a good horror film. I will give my little review of a very similar movie below, but what I think separates this one from that is purely the tone. It only gets more and more grim. If that’s not something you enjoy, it won’t be for you, but if you’re someone who likes challenging, psychological horror, you will enjoy St. Maud.

Censor

Film: Censor 

Where to watch: Hulu

Rating: 3.5/5

As mentioned in the above review of St. Maud, Censor spins a sort of similar yarn. I won’t go into too much detail about the content of either, but even if I were to spoil them, they’re worth the watch for the performances, the storycraft, and if you’re a fan of such things, some of the more jarring, violent moments. I would say Censor is a little more goofy, almost, compared to St. Maud. It never veers fully into schlock, but it gets very close on several occasions, and the ending also toes the line between silly and unsettling. Still, a fun watch and a creepy movie.

One Cut of the Dead

Film: One Cut of the Dead

Where to watch: Shudder

Rating: 4/5

I won’t say too much about this movie aside from this: it’s an absolute delight. I can think of very few flaws, and I won’t even name them because who cares? It’s lighthearted, it’s fun, and it’s short. You couldn’t ask for more in a good comedy horror film, in my opinion.

The Invisible Man

Film: The Invisible Man

Where to watch: Freevee

Rating: 4/5

I’m normally not much of a fan of thrillers, nor of reboots of classic horror movies/monsters, but The Invisible Man is really fantastic. The reimagining of the character is novel, the tension the film builds up is genuinely thrilling, and the ending was everything I wanted.

Off-List Recommendations

Even though I relish being a hater, after so many ugly reviews, I thought I’d end with some unabashed positivity and list a small selection of my favorite horror films. Enjoy!

The Taking of Deborah Logan

Film: The Taking of Deborah
Logan

Where to watch: Prime Video

Rating: 4/5

This movie is a banger, and one which I think deserves more recognition.

Lake Mungo

Film: Lake Mungo

Where to watch: Tubi

Rating: 5/5

Deeply unsettling. One of the best horror films and best found footage films ever made, as far as I’m concerned.

Martyrs (2008)

Film: Martyrs

Where to watch: Tubi

Rating: 4/5

Listen, this is going to sound weird, but this movie used to be a comfort film for me. Like I think I’ve watched it a few dozen times at least because I would go to sleep with it on. Definitely mental health related, so I’m not going to delve into why. I’m also not going to lie and say this is for the faint of heart, and I’m also not going to pretend like a movie in which exclusively young women are tortured is beyond criticism, but I will proclaim that this is a fantastic film, and one I recommend if you’re up to it.

Prey

Film: Prey​

Where to watch: Hulu

Rating: 5/5

What are you even doing if you haven’t watched this yet? It’s fun, surprisingly emotional, lovely, and so deeply satisfying in a number of ways.

Noroi: The Curse

Film: Noroi: The Curse​

Where to watch: Shudder

Rating: 5/5

If you’re a horror fan, odds are you’ve seen this or heard of it. If you haven’t, do yourself a favor and give it a chance. If you aren’t convinced by that simple endorsement, let me also say that though this film is long, it doesn’t waste your time. It’s a wonderfully crafted slow-burn, the kind that reminds me what I love about well executed slow-burns. And if you’ve seen some of the other reviews I’ve written here, I’m sure you know by now that I’m a stickler for movies not overstaying their welcome. 

I love a good mockumentary, I love good found-footage horror, and I love cryptic mysteries told with great care. Noroi is all of these things, and that’s what has made it into such an iconic piece of horror cinema.

Creep (and Creep 2)

Film: Creep and Creep 2

Where to watch: Netflix

Rating: 4/5

I’m always trying to get more people on the Creep train. It’s a very special movie, and one of the few with a sequel that is just as good and possibly even better than the original. This is the kind of horror that will make you uncomfortable more than anything else, but it’s so very good and so very effective.

May

Film: May​

Where to watch: Tubi/Shudder

Rating: 4/5

I wanted to throw a little curveball in here because horror comes in a lot of different shapes, flavors, essences… etc. but I often stay in my favored lanes; I love the gory and the supernatural. But I think it’s worth exploring some films in the genre that aren’t precisely what most people think of when they imagine horror. May is one of my favorite movies in that vein. It has such strong intention and characterization, and – without giving much away – the ending does not merely shock or disgust or terrify, it touches your soul. I hope that intrigues you enough to watch this movie, because it’s a truly affecting piece of cinema.

Halloween Ends (SPOILERS AHEAD)

I wanted to give a more thorough review of Halloween Ends because realistically, it’s one of the bigger, more notable releases on this list, and I did have quite a few thoughts on it. Firstly, many reviewers were not, but I was completely on-board with the main plot of this movie. Especially because, going into it, I had steeled myself for yet another endless, boring Michael killing spree. Weirdly, I feel like most reviewers have complained about the same thing in the past, yet when the creators give us something different, it’s also a problem? I don’t know what the fuck those folks want, but personally, I wanted this. I wanted a story that explored a different aspect of the Michael Meyers legacy without following the same structure of every single other Halloween movie. I wanted a story that brought back some of the psychological elements of the original while also adding something fresh to the mix. I wanted the story of Laurie Strode to reach its conclusion, one way or another… Actually, strictly speaking, none of that is 100% true. What I really wanted was this entire series put to bed after the fun little schlock-fest that was Halloween 3, and for Halloween 2 to be burned from our collective memory. And then I wanted it put to bed a second time after Halloween (2018). But if we we had to have a sequel (and we did, because of money), this is what I wanted from it. I liked the concept of someone else taking on the Meyers mantle, un-subtle though its execution may have been. I enjoyed watching this kid enact his gruesome vengeance and slowly become the next personification of evil, and if they had taken that course and run with it, starting a whole new saga, I wouldn’t have been too angry about it even if I’m dying for them to incinerate the rancid corpse that this franchise has become. But of course, we can’t have nice things, and the point where the movie broke down and disappointed me was when they rehashed the Laurie vs. Michael fight AGAIN. How many times must we see this? I enjoyed it more the first time, in Halloween (2018). But ok, fine, we have to do this in every single one of these fucking things so whatever. At the very least, they had the courtesy to make it really funny. Laurie essentially crucifies Michael on her kitchen island, then leans the fridge on his leg. She of course takes her time knifing him properly, so he unskewers one of his hands by just rippin’ right through it (lol), then chokes her out one last time. He almost gets her, too, mostly because she’s finally had enough and starts to give in, but then her granddaughter shows up and snaps his fucking arm like a twig. At which point I was howling with laughter. Finally, Laurie slits his wrist. Fin. Then came an even funnier scene. The cops show up, and they tie Micheal’s body to the top of a car. There’s a moment where you can hear some of the background officers going like “hey, this isn’t how we do things guys, come on.” But the sherriff shows up and says “tonight it is,” or something like that, and I giggled. The cursory attention given to standard procedure was quite funny to me, though I don’t think it’s intended to be as laughable as it is. I like that they give that nod and then go, “yeah, we really mean the Ends part of Halloween Ends. This mf is going in the shredder.” I was grinning throughout the sequence, because they’re finally doing what no horror movie dummies ever get to do: truly destroy the boogeyman. And destroy him they do. The townsfolk of Haddonfield all come out in force to crowd-surf Michael’s body to the industrial grinder and then part like the Red Sea to allow Laurie her final goodbye. We get a blood-explosion shot of Mikey’s body getting ate up, and it’s over, just like that. It had me kicking my feet like a child because man is it trying to be serious, but it’s just entertainingly goofy. That’s why I really can’t be mad at this film even with this tacked on bullshit at the end. I enjoyed the main story, I laughed at the end, and I sighed with relief that I won’t be seeing another one of these goddamn things for at least a few years. So I hope, anyways. I don’t know if I can bring myself to watch another one if they do bring it back. As much as I enjoy that John Carpenter is forever getting run his money off the back of this series, as I mentioned earlier, I would like for it to die. Its ability to induce fear has long since faded due in part to the original run of sequels, whose premises became more and more absurd, consequently making Michael less and less scary. And in part due to the multiple resurrections it has now endured. From Robb Zombie’s films, the first of which was so terrible, they turned the lights on in the theater I was watching it in so we could all laugh and talk more easily since we were already getting rowdy less than an hour in. To this new trilogy, which had some decent entries – this and Halloween – and one of the worst sequels to anything I’ve ever seen – Halloween Kills. I truly hope this property finally gets to rest in tiny, ground up pieces much like Michael’s old, fucked up sewer body. Did I mention he lived in the sewer in this one? Yeah. Maybe they’ll add a nasty sewer mask skin for him in DBD. I’d enjoy that.

The post Jess’ October Movie List appeared first on Fantastic Worlds Productions.

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